Severin, Severin
“I am tired, I am weary
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Severin, your servant comes in bells, please don't forsake him
Strike, dear mistress, and cure his heart.”
—From “Venus in Furs,” by The Velvet Underground; written by Lou Reed
I’m fascinated by sex. It’s the ultimate human drama, our greatest paradox. It’s simultaneously the simplest and most complex act human beings can engage in. The way I look at it, sex isn’t just about pleasure. It isn’t about procreation. At its very root, sex is about power.
That’s why this date is important to me. 115 years ago, Leopold von Sacher-Masoch (Jan. 27, 1836-March 9, 1895), the man who lent his name to the term “masochism,” died in Lindheim, Germany. Although Sacher-Masoch was acutely aware of how sex and power often march hand in hand, his sexual peccadilloes prevented much of his work from being translated. Even today, only one of his novels, Venus in Furs, is widely available in English.
While the man himself is mostly forgotten, his legacy lives on in our cultural continuum. One of the seminal songs from the Velvet Underground catalog is an homage to Venus in Furs; one of Broadway’s hottest current hits is inspired by his works; and even today’s most advanced sex robot, Roxxxy, owes a debt to the godfather of masochism.
When Roxxxy was unveiled earlier this year, she was billed as having numerous programmed personalities, including “S&M Susan.” (With some experts claiming that human-robot marriages might become possible by 2050, the presence of a masochistic personality in today’s newest sex robot seems to indicate that robots of the future may also be programmed to take a little pain with their pleasure.)
I could sleep for a thousand years
A thousand dreams that would awake me
Different colors made of tears
Shiny, shiny, shiny boots of leather
Whiplash girlchild in the dark
Severin, your servant comes in bells, please don't forsake him
Strike, dear mistress, and cure his heart.”
—From “Venus in Furs,” by The Velvet Underground; written by Lou Reed
I’m fascinated by sex. It’s the ultimate human drama, our greatest paradox. It’s simultaneously the simplest and most complex act human beings can engage in. The way I look at it, sex isn’t just about pleasure. It isn’t about procreation. At its very root, sex is about power.
That’s why this date is important to me. 115 years ago, Leopold von Sacher-Masoch (Jan. 27, 1836-March 9, 1895), the man who lent his name to the term “masochism,” died in Lindheim, Germany. Although Sacher-Masoch was acutely aware of how sex and power often march hand in hand, his sexual peccadilloes prevented much of his work from being translated. Even today, only one of his novels, Venus in Furs, is widely available in English.
While the man himself is mostly forgotten, his legacy lives on in our cultural continuum. One of the seminal songs from the Velvet Underground catalog is an homage to Venus in Furs; one of Broadway’s hottest current hits is inspired by his works; and even today’s most advanced sex robot, Roxxxy, owes a debt to the godfather of masochism.
When Roxxxy was unveiled earlier this year, she was billed as having numerous programmed personalities, including “S&M Susan.” (With some experts claiming that human-robot marriages might become possible by 2050, the presence of a masochistic personality in today’s newest sex robot seems to indicate that robots of the future may also be programmed to take a little pain with their pleasure.)
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